Source: Hong Kong Zhongtong News Agency
Reporter: Shi Xinyue
In addition to the three harms of the Taiwan Film Week, the three risks have recently climbed up in the box office of the mainland, and the calling is also set off for socially discussions.Public opinion in Taiwan believes that the selection, narrative methods and behind -the -scenes teams of the film can provide new thinking for cross -strait filmmakers.
Integrate the statistics of each box office. As of March 17, the three hazards of the week have exceeded 500 million yuan in the box office of the mainland; since March 3, it has won the single -day box office championship for 15 consecutive days.Not only that, this movie that had been released in Taiwan last year and the reputation of the box office at that time has recently "red back to Taiwan", the top reading rate on each streaming platform.
According to this, Taiwan media pointed out that the three harm of the Zhou Dynasty was a social realistic film, which was very different from the "small fresh" style of the "small fresh" style in the mainland in the past.No wonder both sides of the strait are described as "dark horses" and also provide new thinking points for the future selection of cross -strait filmmakers.
The film is the first work directed by Hong Kong director Huang Jingfu in Taiwan. It is a rare movie in Chinese movies that has rare in Chinese movies in recent years.A film comment published by Taiwan's "Zhongshi News Network" states that the promotion of film plots with a strong characteristics of Hong Kong production films is a realistic story of Taiwan's social society shot using Hong Kong production methods. It is also one of the reasons why the film calls in the mainland marketEssenceIt turns out that as long as the story is good enough and the market is large enough, there is still a chance to shine in Taiwanese films.
In addition to the three risks of the Zhou Dynasty, the Chinese historical allusions are used.According to the Taiwan Lianhe Daily, in recent years, under the so -called "anti -China" atmosphere, mainland factors in Taiwan society have been deliberately reduced or even ugly.This film tells the story of Taiwanese stories in traditional allusions, allowing different audiences to cross cultural and ideological gaps, and can be satisfied after watching the movie.Its popularity is not a short -lived, but can truly open up a new page for Chinese film cooperation.
Taiwan's "Wind Media" column article mentioned that nowly, there are many film reviews and analysis of the mainland social platforms about the three harms, and the episode in the film is also familiar with mainland netizens.In the current situation of cross -strait relations, a movie can be so popular or even soothing, which is neither incredible and valuable.The movie also made people discover again that there is a connection between cross -strait transcendence beyond political barriers.
Regarding the sellers of the three harms in the mainland and the flowers of the mainland TV drama in Taiwan, the phenomenon of the pursuit of the drama in Taiwan, Chen Binhua, a spokesman for the Taiwan Office of the State Council of China, said that the mainland is unimaginable by many artists in Taiwan, and it is also the same.They are looking forward to it.It is hoped that the cross -strait film and television industry will further strengthen cooperation, create more works loved by compatriots on both sides of the strait, work together to promote Chinese culture, enrich the amateur life of people on both sides of the strait, promote the common development of the film and television industry on both sides of the strait, and strengthen the film and television cause of the Chinese nation.
