No matter how the outsiders "distorted" the image of the character, the status of the red headscarf in the hearts of the Chinese people is still unwavering; and we just do not have such confidence, and gradually lose such confidence, and we will strongly feel the ox cart.The water was consumed, and even the historical figures of cattle carts could not escape such a fate.
Recently, ox cart water has been hot again. Correctly, a mural of ox cart water is hot.The red headscarf deep in the memory of the Chinese people was awakened by the intention of a Western painter.The incident is just like the red scarf on their heads. It is more exciting than the historical ability and the two -level camps of historicism and free creativity, which is more exciting than the mural itself.
The murals on the south road on Qiaonan Road 297, the red headscarf in the painting is young and beautiful, and her skin is fair.According to the meaning of American painter Sean Dunston, what he wants to show is a red headscarf for smoking in a rest.The murals caused a warm discussion. In response to its removal, there was a final case. The urban reconstruction bureau allowed homeowners to retain the murals without changes. Only the homeowner was sold for 2,000 yuan.
I asked friends to eat in the ox carts on Monday, and accidentally found that the murals were in front of them.At that moment, the visual impact was quite great, not disgusting, but a ridiculous and helplessness of historical misplace.The mural itself is innocent. I do n’t understand painting. Even if I do n’t understand, I really ca n’t say it is ugly or damaged.In fact, its color tone is also coordinated, and even very atmospheric, the girl in the painting is fascinated.I can't think of the prostitutes and Fengchen girl mentioned in some extreme comments, because the girl in the painting is just a red headscarf borrowing the corpse to return the soul.
The core problem lies in the historical role and image of red headscarfs. Although it is precipitated in the corner of the memory of some Chinese people, it still has traces to follow; if a foreigner's arbitrarily play and interprets, if it does not appear in public space, it does not appear in public space, andStep on the mines of public opinion so quickly.
In addition to challenging the scale that Chinese people can accept, the painter also challenges the scale and bottom line of artistic space and historical figures.I am not surprised that in the case where national historical education is getting pale, the red headscarf seen by the younger generation of Chinese people for the first time is this look.If they are interested in historical figures or interested in ox carts due to media public opinion, and continue to dig deeper history, such paintings have caused topics to be infinite.
However, do we have to face up to be because of the indifference and marginal treatment of history, inadvertently transferring our own words and interpretation of sovereignty?If we have enough cultural self -confidence and historical knowledge reserves, the Chinese people who should be valued in the history of the founding of the country are clear, or at least have certain cognition.Interpretation and worry.
No matter how the image of outsiders "twist", the status of red headscarfs in the hearts of Chinese people is still unwavering; and we just do not have such confidence, and gradually lose such self -confidence, we will strongly feel that the ox cart water is consumed by consumption.For one, the historical figures of cattle carts are hard to escape such a fate.
It is as if more and more non -original residents have opened restaurants and stores to settle in, and the original appearance has changed.This was originally the norm in the intense business competition environment. The survival of the fittest is like a rational business and ethnic group.Of course, at the cost, we can only find that the ox cart water is still lively, the capital continues to settle, the crowd is endless, the ox cart water is still attractive, the tourism capital is still abundant, and the goal is easily achieved.
From the perspective of loss of local characteristics, do we allow such trend to continue to develop, or encourage more local merchants to stand firmly and present more noodles and rich ox cart water?After all, we have to ask ourselves: What kind of ox cart water do we want?Or extended, what is the image of the red headscarf in the hearts of the Chinese people?
Whether it is film and television works or artistic creation, we have done it, but it is not enough. Of course, hate outsiders to step on and draw a pen.In fact, red headscarf smoking was a true portrayal of women working women.The red headscarf was remembered by the history of the people, and how many small characters were still buried in the dark and cold sense of history, rarely mentioned.
When my grandmother was young, I worked as a "black headscarf", commonly known as "Gongxi".It was in the 1950s and 1960s. They were a group of Cantonese women who cleaned the shore cabin. Generally, they went home for a few days to go home.Foreign grandfather lost his ability to work due to work injury, and his grandmother raised six children as black heads.Her mother said that she had sent her grandmother out of her work since she was a child.I remember that my grandmother loved smoking cigarettes, and the braids were combed long but sparsely rolled into buns on their heads.We are all happy to smoke her cigarettes and then filter the entire cigarette case, and listen to her seamless switch between Siyi dialect and Cantonese dialect.As a laborer, she still acts on a job, and her language is extremely colorful.
Speaking, the American red headscarf incident also reflects another possibility.Due to the very low fine, some artists dare to challenge the bottom line in the future, ignore history, and the cost is still very low.This is the biggest ridiculous.
For "historic -basedists", such as Chen Laihua, a collector over eighty years old, only capable of turning the tide to "the true colors and dignity of red headscarves", and rely on personal strength to talk about holding red headscarf exhibitions to the hall.The literature reflects history and pays tribute to the loyalty to the red headscarf.
(The author is a text worker/merchant)
