Cultural perspective
In 1961, Huang Wanqiu, a Chinese artist Huang Wanqiu, who starred in the film Liu San, died on March 4th, who starred in the film Liu San, and many local older generations expressed their painful mourning.If it is not more interested in literary and historical materials, even middle -aged people like me can imagine about 60 years ago, this film was in the scene of 10,000 people in Singapore.Among them, the extremely complicated cultural and political background also reflects the sharp changes in the political map of the entire eastern Asia.
Let's not mention the artistic prototype of "Sister Liu" in traditional Chinese culture. Although this film is produced in the 1950s of Chinese control in the 1950s, the political intentions behind the transformation are still obvious.The heroine was portrayed as the image of the persecution of the landlord class. Therefore, after watching the show in 1960, Mao Zedong set it into "Liu San Sister's oppression, which was revolutionary". This was a political endorsement for this drama.In essence, it belongs to the same type as the same popular white hair girl.
I will give a small example to explain the political symbol that Liu Sanjie is intentionally or unintentionally added.According to a report on August 31, 1962, on the evening of August 30, 1962, the People's Action Party held a rally in Fanglin Park to call on the public to vote for the merger of the new horse.Liu Sanjie's movie episode, which was played loudly, wrote the newspaper: "In contrast to the speech with Lee Kuan Yew, it was a piece, and the conference was suddenly disrupted and could not be performed.This episode is not helpful for us to understand the political background of Singaporean's political background at that time.
However, unlike the promotion of continuing left and more radical during the later Cultural Revolution, after all, there is Guilin's beautiful scenery after all, and it is more artistic in art.The colors of political propaganda are relatively weak, but this has also become an important reason for acting as a staff member, including Huang Wanqiu himself during the Cultural Revolution.It itself is a left movie, but it becomes a critical object because of insufficient left.
In the first half of the 20th century, the national independence movement was surging, especially after the brutal rule of the Japanese invaders, the nationalism of local Chinese was unprecedentedly high.In the 1950s and 1960s, the leftist among the Chinese people in this tori can be said to be in the middle of the day, and many Chinese movies have also been introduced.Since the introduction of movies at the time still had to be reviewed by the "Check Board", it was often relatively neutral opera and opera that could be introduced.Liang Zhu Honglou Meng Tianxian with five golden flowers Liu San sister, all of which belong to this category.
Most of these movies are screened in Hong Kong, and then transferred to Singapore.Like the 1956 Vietnamese movie Liang Zhu has been broadcast for more than 70 days, and the subsequent Tianxian match has been shown from September 12 to December 31.With the popularity of these two movies, Singapore also introduced the Vietnamese movie Cai Feng Shuangfei.In the following two years, Chinese drama songs are often reflected, so it can be understood by the strong response of Huang Wanqiu's version of Liu Sanjie.In 1959, the five golden flowers of the Changchun Film Factory also set off a lot of waves.
The changes in the Ding Ding in 1949, although far away from thousands of miles, have a huge impact on the political ecology of the New Malaysia area.On the one hand, the huge political barriers between the two places regime have almost interrupted the people's exchanges.This not only makes the local Chinese in many aspects such as visiting relatives, studying and doing business, and the old garden rural wells have been separated for many years, which has also caused the contradiction between Chinese students and British colonial officials and British schools.Everything in the old country becomes extremely beautiful in the heart.
Of course, they can't see the shadow of the light and blood of the cruel class struggle, and the hunger and life trauma brought by it.
The old garden that is beautiful, and in the film, which is highly beautiful, has also achieved these beautiful imaginations in the hearts of Chinese educators.Of course, not many people will know that Yan Fengying, the protagonist in Tianxian match, was later tortured and killed; Yang Likun, the protagonist of the five golden flowers, was persecuted to mental abnormal; Liang Zhu's protagonist Yuan Xuefen was detained for seven years and was controlled for three years;Reform for 15 years!These are just a few epitome of the general phenomenon in the cruel era.These artists were completely devoured by generalized society because they were too attached to art.
After being banned for many years in China, with the reform and opening up, Liu San sister and other films were released in Singapore again in the late 1970s. Since then, the actors of Liu Sanjie have also visited the local area many times.At this time, China, which is "centered on economic construction", is no longer the country with political commander.Since then, the people of both countries can use a relaxed mood to appreciate art to watch this excellent film.I remember a few years ago, Ye Cong, the music director of the Singapore Chinese Orchestra, also creatively planned a new Sister Liu.Eliminating the strong political color that should not be existed and returning to the art itself can we let us enjoy the true charm of Liu San Sister at ease.
The author is a literary and historical worker, religious researcher
The changes in the Ding Ding in 1949, although far away from thousands of miles, have a huge impact on the political ecology of the New Malaysia area.The garden, which is beautiful, has been highly beautiful in the film, has also achieved these beautiful imaginations in the hearts of Chinese educators.These artists were completely devoured by generalized society because they were too attached to art.
