On the evening of May 15, China Petroleum & Chemical Corporation (Sinopec) released an announcement document on the list of directors and their roles and functions through the announcement disclosure platform of the Hong Kong Stock Exchange.The document shows that Dai Houliang has been elected chairman of Sinopec's board of directors.
According to The Paper, the public resume shows that Dai Houliang was born in Jiangsu in 1964.Dai Houliang worked in Yangzi Petrochemical in his early years, and later served as the vice director of finance, vice president, senior vice president and chief financial officer of Sinopec Corporation.
In addition, Dai Houliang is also an alternate member of the 19th Central Committee of the Communist Party of China, and was elected as an academician of the Chinese Academy of Engineering in 2017.
Wang Yupu, the former chairman of Sinopec, became the director and party secretary of the State Administration of Work Safety last year.After the institutional reform this year, Wang Yupu served as the minister and deputy secretary of the newly established emergency management department. The market size of China's animation industry exceeds 100 billion, ushering in a golden age
From imitation to originality, from market to production capacity, China's animation industry has developed rapidly and is about to enter a golden age. Some current market data show a trend that excites animation practitioners.
According to the Worker's Daily report, by the end of 2017, the output value of China's animation industry reached 150 billion yuan, accounting for 24% of the total output value of the 630 billion yuan entertainment industry, becoming an increasingly important part of it.
In recent years, China's domestic cultural consumption and content consumption market has developed rapidly, and the proportion of the animation industry in the Internet and cultural industries has steadily increased.
According to reports, at present, China's domestic animation industry is jointly driven by the troika, which are driven by audience needs, the development and popularization of new media channels, and policies.Among them, the audience's demand is not only affected by the growth of residents' disposable income and cultural consumption expenditure, but also by the fact that the post-90s generation of the second dimension has gradually become the main force of consumption.However, domestically produced animated films are mainly children-oriented, and full-age and adult-oriented products with great market potential are scarce.
Today, although the total production of China's domestic animation has long been comparable to the animation powerhouses of the United States or Japan, the influence of domestic animation has long been left behind by international animation giants.
In the era when content is king, Chinese animation must be marked with its own cultural characteristics while innovating.The person in charge of Guangdong Original Power Culture Communication Co., Ltd., which created and distributed the original Chinese cartoon Pleasant Goat and Big Big Wolf, said that if Chinese animation wants to be internationalized, the content arrangement must tell Chinese stories that overseas young people like, and the creation of the content mustInternational compound talents, understand overseas markets, technology, marketing, etc.At present, Pleasant Goat and Big Big Wolf has been released in more than 100 countries and regions including Australia, India and the United States.
