After the Japanese animated film slam dunk was released in the local area last year, last year was released locally last year in the local area last year.The box office is hot. Last month, the box office was also excellent. It is expected that it will become the highest box office Japanese movie in China.The performance is so eye -catching, what is mysterious?
Public information shows that the slam dunk master was originally created by the Japanese cartoonist Arai Hiroshiko.It was announced in June of the year.
The film version of the slam dunk was finally released at the end of last year after more than 20 years. It was also directed by Yoshiko Iya.Inspirational story of the basketball team confrontation.
Mainland China is almost the latest place in Asia to see slam masters.Earlier, the film has been released in many places in Japan, South Korea, Hong Kong and Taiwan.Although some time later, many mainland audiences still have high expectations for movies.Slam Dunk's animation was broadcast on Mainland TV in the 1990s, and became many children's childhood memories of many post -80s and post -90s.Some netizens said that many elementary and middle school students fell in love with basketball because of this anime.
According to the professional version of the Chinese Film Data Analysis Software Lighthouse, the slam dunk master was 13 hours and 16 minutes released in China.The pre -sale box office is 115 million yuan, and the number of pre -sale is 2.86 million, which has set up a pre -sale box office championship in China's film history.
As of last Wednesday (April 26), the box office has broken 400 million yuan a week after its release.
While harvesting the eye -catching box office, the quality of the film has also been recognized by the audience.As of 3 pm on May 2nd, the slam dunk masters in Douban's film scores were as high as 90 points, nearly 200,000 people scored, and five -star praise accounted for 60.4%.
Someone left a message on the Douban page and said, "I was shocked for the film techniques of Yoshiko Hiroshi and the audiovisual effects of realization. Listening to the cheers of the audience was excited, thinking of my youthful memory of tears."
Some people also said," To be honest, there is no great expectation. I think the style of painting is a bit of not the taste of the year.Reduce! "
In addition to the masters of the slam dunk, the animated film sprouts directed and screenwriter by the Japanese director Xin Haicheng have set off a wave of viewing after the release of China at the end of March.The film tells a girl with a mysterious man, and the two embarked on the adventure story of closing the door of disaster.
Data show that after more than 30 days of release in mainland China, the box office deadline has exceeded 750 million yuan last week.If it is not overtaken by a slam dunk, it will be the most successful Japanese movie in the history of Chinese film box office.
Wang Pengfei, a lecturer at the School of History and Culture of Tianjin Normal University, wrote in the surging news.He takes the boom set off by a slam dunk movie version as an example. This side shows that it is not only an anime movie, but it is also a common youth in the 80s and 90s and memories related to youth.
Wang Pengfei also commented: "Pursuing this trace, this common memory can be said to be the fruit formed by the Chinese and Japanese 'honeymoon period' in the last century."
Japanese animeIn China for more than 40 years
China -Japan officially established diplomatic relations in 1972. Six years later, the two countries' foreign ministers signed the China -Japan Peace Friendship Treaty in Beijing. In the next ten years, the relationship between the two countries entered the "honeymoon period".
In this context, China Television introduced and played Japanese animation in 1979 to strengthen civil cultural exchanges.The first landing cartoon was the work of the famous Japanese children's literary writer Matsuda Matsuda Matsuda Taro.
Subsequently, the iron arm A Tongmu's work of Japanese anime master Tezuka also introduced China. The audience responded enthusiastically and formed a scene of 10,000 people.This sci -fi work also knocked on the door of the Chinese to recognize Japan through anime works.
Wang Pengfei said: "Since then, slam dunk, football teenager, Doraemon, Saint Seiya, beautiful girls and other classic Mandarin dubbing days have entered the audience's vision. Although these works, although these worksThe producing age is different and the subject matter is different, but a period of childhood memories have been built for countless post -80s and post -90s generations, forming their own 'Japanese impression'. "
However, around 1995, with the rise of satellite TV, cable TV, and education TV stations, the introduction of China's imported cartoons showed a flood.
The official financial and economic name "Cultural and Creative Information" in the interface news issued an article entitled Japanese anime "invading" China for more than 30 years in December 2016. Why "love each other and kill each other"?Reports, the content mentioned that because of the non -review and quota restrictions of cartoons, some of the Japanese cartoons with outstanding tendency to frequently appear on TV screens.
Reporting pointed out that the most affected Beidou Shenquan was broadcast on various local TV stations, and its "flesh flesh and flesh, facial features moved" shocked many people.Subsequently, the film was urgently stopped, but the impact of "the impact of adultization of Japanese cartoons on Chinese teenagers" has begun to become a hot topic in society.Beidou Shenquan tells the story of the world after the world was devastated due to a large -scale nuclear war, and human beings started to grab each other to fight each other for the only resources.
Later, in the context of pirated and weak supervision, in March 2000, the State Administration of Radio, Film and Television of China issued a notice on strengthening the introduction and playback management of cartoons that marked "blocking Japanese animation".
According to the Chinese government network, the notification requires TV stations at all levels to play the time to play the introduction of cartoons in each program every day.40%of the total number of playback.
It is reported that this is the first time that the State Administration of Electricity and Television has made clear regulations on the introduction of imported cartoons.However, this is not the worst moment of Japanese cartoons in China.
A author named "Guanzhong Afu" wrote in the insight in the Phoenix Cultural Review Section in April 2015. Around 2006, imported cartoons, especially Japanese cartoonsIt is the national animation industry that has a micro -word about Japanese cartoons -some Japanese cartoons are promoting their animation brands, and the relevant cartoons will be provided to Chinese TV stations at a free or low price.Survive.
The article said that the State Administration of Radio, Film and Television has issued a "ban order" twice, requiring TV stations to not broadcast import cartoons in the evening gold time.
The State Administration of Radio, Film and Television first issued a notice of the State Administration of Radio, Film and Television on further regulating the management of TV cartoons, and stipulating that all channels at all levels in China are prohibited from all channels at all levels of China from 5 pm to 8 pm, and they are prohibited from being prohibited from being prohibited.Play overseas cartoonsEssence
In February 2008, the State Administration of Radio, Film and Television issued a notice on strengthening the management of TV cartoons, stipulating that from May 1st of the same year, all channels of TV stations at all levels across the country must not be broadcast on overseas cartoons and introductions.The time of information programs of overseas cartoons and the period of showing the column of overseas cartoons, from 5 pm to 8 pm, extend an hour to 9 pm.
This means that the Chinese can hardly see overseas cartoons during the golden period of television.
However, as the Internet era comes around 2008, the viewing channels for imported cartoons are no longer limited to TV stations.Therefore, related measures no longer hinder most Chinese people watch Japanese anime works.
The real revival of Japanese anime in China can actually be seen first on the big screen.
In 2010, with the opening of China Film Market, Japanese animated films jumped on the Chinese screen. The first to appear was the detective Conan: the dark follower.One year later, another theatrical version was silent for 15 minutes and took the good box office.
But the good times are not long. China -Japan relations have deteriorated due to the problem of the Diaoyu Islands (known as the Jiangang Island in Japan). China did not introduce any Japanese movie in 2013 and 2014. After 2015, the situation returned to normal.
Why is Japanese anime so hot in China?
Comprehensive Chinese media reports and analysis, the two major reasons for Japanese animation in China are: First, the cultural background of China and Japan is close to the background, which is easy to resonate with spiritual resonance. Second, Japanese animation is new.Essence
China News Agency in June last year quoted the former editor -in -chief of the Japanese Iwa Bookstore and the Japanese Department of Foreign Languages at the School of Foreign Languages of Peking University, Malaysianshiko, said that the historical exchanges between China and Japan have a long history and have similar cultural values and society.The environment, and the lifestyle of the people in Europe and the United States is very different from that of East Asia. Therefore, Japanese anime is more popular than in Europe and the United States.
He said: "For the people of my era, Japanese comics are metaphorical to 'three o'clock snacks'. Primary school students eat snacks to watch anime after three o'clock in the afternoon.The taste of childhood is very happy and reflective, and similar situations are also very common among Chinese students. At the same time, Japanese anime has also attracted some adults, especially young people, which reflects the culture and social level of China and Japan.The common points. "
Observe by the Gongyan of the racecourse, the city middle class that supports China -Japan culture consumption is also closer in terms of lifestyle and consumption behavior.There are similar social environments in the two countries. Similar phenomena such as late marriage, singles, and Dink are also facing problems such as aging."These common factors make young people between the two countries easily produce a common anime 'language'."
As for the second point, according to the aforementioned article, Japanese anime "invaded" China for more than 30 years. Why "love each other and kill each other"?It is explained that Japanese anime talents have emerged, and they can continue to be newly promoted according to the changes in the times; this innovative spirit is also reflected in its unique picture style, character image design, and lens expression techniques.
The article also wrote that an animation is composed of pictures, plots, scripts, dubbing, and soundtrack accompaniment.The reason why Japanese anime can attract the audience is that they have reached a very high level in these aspects."The plot is the biggest factor in the success of Japanese anime. Japanese anime has done a lot of effort in the plot."
In general, Japanese anime has accompanied many China 80s, 90s, or even 00The post -growth also caused many of them to break the stereotypes of Japanese cognition. From a certain level, this is a bridge between China and Japan.
But with the surging trend of nationalism, the relationship between the geopolitical situation, especially the countries and regions of East Asian countries and regions, has become tense. The soft cultural connection of animation has been ups and downs in Sino -Japanese relations in recent years.In the following, it is difficult to play a slow cheek effect.What's more, there are complex historical and territorial entanglements between China and Japan.
